About
the Author
I have always had an abiding interest
in language – its power and its beauty. As an educator, I
was provided with many opportunities to enhance and share
this passion with others. Since 1990 I have written,
directed and produced twelve dramas for audiences in Nova
Scotia. My plays and short stories have been influenced not
only by life on the Atlantic seaboard, but also by my
Christian spirituality and appreciation of traditional
family values. All of these influences have culminated in my
first novel, With Love,
With Connie,
which also reveals my enduring appreciation of the music of
Connie Francis. My greatest desire is to share this
romantic, yet turbulent story of Robert and Rachel with
others.
FAQ
Is
With Love, With Connie,
your first
published writing?
It is my first published novel. I have
written twelve major dramas that have been staged locally.
As a curriculum supervisor, I was editor for numerous
educational booklets and I have written editorials for our
local newspaper.
Is your novel autobiographical?
I think all writing is essentially
autobiographical; authors tend to write of what they know
and have experienced. Their values and attitudes are shaped
by past experiences. With Love, With Connie has numerous
biographical references. Robert, the hero, who was of
Belgian descent was raised in a duplex that served as a
nursing home. His father and brother were miners. As a
teenager he was a member of a Connie Francis Fan Club. He
was an English teacher. Robert was a person of faith and a
member of the Order of St. Luke healing ministry. He married
into a family of English descent, a family of gardeners.
That much is reflective of my past.
Have you, like Robert Mascaux, the hero of
the novel, maintained an interest in Connie Francis?
Yes, I have a vast collection of her music in
various languages. I have her biography and belong at
present to a Connie Francis Fan Club. I began collecting her
music in 1958 and have continued that interest to the
present. In May 2004 I experienced my first live Connie
Francis concert; it was the thrill of a lifetime!
When did you begin writing fiction?
As a teacher, I felt it was important to be
seen as a writer. I often wrote dramatic scenes for student
presentations. Later I began writing chancel dramas for
church.
What do you think your strengths are as a
novelist?
I think I am probably a better playwright
than novelist; consequently, I believe I can create
effective dialogue. I have a good sense of character and
plot. My thesis advisor for my Masters degree, once wrote on
one of my submissions; ‘Save the flowers’. Since then, I
have always been conscious of the merits in brevity.
Which writers do you admire?
I have a great appreciation for John
Steinbeck, Charles Dickens, Hugh MacLennan, and Allistair
MacLeod. I love the Victorian poets!
Do you have an editor?
Yes, my wife, Pauline, serves as my editor. When I was writing the novel, Pauline would
read each chapter after I had written the rough draft.
After it was more polished, I would share the various
chapters with Edwina King, my mother-in-law and two close
friends, Brenda MacLaughlin and Neil Weber. It was
wonderful to have a few individuals with whom one could
discuss the plot as it was unfolding. We had a delightful
evening when I read the final chapter to everyone! A friend,
Frances Campbell, was an invaluable resource as I attempted
to clothe the women in the novel, especially for the
wedding.
Did you have a chapter outline in advance of
writing?
No, I had a basic idea of the overall plot
but I found that after the first chapter was written, the
characters assumed control of the plot. I could never have
anticipated the ending of the story. Trevor, the villain, is
unlike anyone I know. Throughout the plot, I was eager to
have him receive his due reward, but alas that was not quite
what happened!
How long did it take to write the novel?
It took about three months, but that was
followed by a long period of editing. The time spent writing
the first draft was bliss! I lived with the characters; they
were a part of me and I of them!
The novel is published by a Print On Demand
publisher. Why did you choose this form of publication?
I am certain most writers realize before they
begin writing that the easiest task may well be the writing
itself. Finding a receptive publisher is no easy task! I was
fully aware of the number of rejections that Gone With The
Wind received and the lack of success that John Grisham had
in finding a publisher for his first novel. I did send the
script to about 30 traditional publishers. I received six
responses that were more than a standard response. One
Canadian publisher felt the novel did not have sufficient
local colour; one editor enjoyed the novel but was not
passionate enough about it to see it published. I was not interested in the Vanity Press,
self-publishing! I couldn’t imagine having 1000 or more
novels in my basement that I would have to sell. Print On
Demand seemed a great compromise. I was able to have
control over the content, the cover, the basic format.
What response has your novel received?
I think most writers simply want to be read
and hopefully appreciated. I have had numerous individuals
who have responded to the novel in very creative ways. One
reader presented me with a watercolor of the flowers
represented by the “Bouquet Sisters” who are featured in the
novel. Two individuals who had read the novel purchased a
waffle iron to try out the recipe for Belgian galettes that
are featured in the novel. A long distance phone call from
a friend I hadn’t any contact with for years resulted in a
discussion of shared memories that the novel evoked. Several
former students have contacted me to react to the novel.
Friends such as Sharon and Gilles Gauthier have been
enthusiastic supporters; it is an interesting experience to
share something as intimate as writing with family and
friends. It has been fascinating to read some of the reviews
posted on Amazon.com!
What is your ultimate dream for the novel?
In my wildest dreams, I imagine it on a best
selling list and the source of a movie for Hallmark Hall of
Fame!
The big question? What did Connie Francis
think of the novel?
I’m afraid you’ll have to ask her yourself.
She received a copy of the novel in the Fall of 2002 when
Michael Wright, a webmaster for a major Connie Francis
website, presented her with the novel after a concert in Las
Vegas. She autographed two copies of the novel for me
following her Toronto concert in 2004.
Are you working on a second novel?
Not yet! Since finishing the novel, I have
continued writing dramas and a number of short stories. I
would like to have a collection of my short stories
published. As always I am involved in scripting dramas for
Acts Theatre Society.